2.5 out of 3 and counting...

Heading into the Thanksgiving holiday, I had three knitting goals: (i) to finish the Frejya sweater, tail and all, (ii) to bring Eriskay up to the armholes, and (iii) to get past the heavily beaded bottom segment (= 7.5 pattern repeats in all, ~30 more rows) of Elm Row's second half. Then, I thought, it would be OK to start something new for a chance. And despite the inevitable delays and distractions, I am happy to report that I managed to complete 2.5 of the three during the break. :-)

Frejya is, not surprisingly, the one partial hold-out. I find it very hard to work on the painstaking embellishments when I am tired, which is, alas, almost always the case in these waning days of the fall term, especially right after I get home from work (i.e. during my prime knitting hours). So my progress remains maddeningly slow, but I am encouraged by the extent to which incremental steps continue to be taken. I have finished the face of the cat and one paw (two to go!) and acquired the googly eyes for the goldfish. Anita (The Fiber Artist) and I made an informal pact at our last Odd Tuesday gathering (Nov. 23rd) to complete a sweater each before the next meeting (Dec. 7th), since we both have projects very near to completion that require just one final push to get them "D-U-N done." I intend to wrap up the last few bits of embroidery *today* and then, God willing, to deal with the tail tomorrow (and the next day??), so that I really can wear the sweater to the next Odd Tuesday. Suffice to say that having this perennial project off my "To Do" list would be cause for GREAT rejoicing. As an added reminder that the darn thing is still pending, I am holding off on further photos at least until the embroidery is complete.

Although Frejya went slowly, I got excited about Eriskay and was able to complete not only the diamond pattern in the lower part (which was my original goal) but also the 18-row horizontal band that ends right at the armholes and marks the transition to the ornate yoke. I am following the instructions for the medium size, but added a repeat of the diamond pattern as per the large, once having reassured myself that the amount of yarn on 2 cones of Frangipani would suffice, so that the sweater will have plenty of length below the armholes. I want it to be ample, more like a man's sweater, since that's my preferred modus operandi in the depths of winter. I inherited several sweaters from dear old dad, and wear them often, grateful for the extra coverage. Click on the image above for a closer look at one of the lovely armhole gussets, although I should warn you that the dark plum color (code name "Damson") does not lend itself terribly well to low-light photography. I am waiting for a sunny day to see about getting some better pictures.

With Elm Row, my ambitions were fairly limited as well, but again I managed to exceed my goal by a wide(ish) margin. Happily, once I got going, it did not take long to make my way past the heavily beaded section, and then the work sped up enough for me to do several more pattern repeats. In fact, I surged ahead with it this past week and am now just *6* pattern repeats from the end. Happy dance!! Since the scarf/stole is destined to become a Christmas present, I am reluctant to post pictures of the finished piece until after the holiday, but I have to say that the combination of the graceful design by Anne Hanson, the sunny green-and-brown colorway ("Deep Forest") from The Unique Sheep (also shown here), and the sparkling metallic gold-lined crystal beads from Earthfaire, has proven to be a winner and I think blocking will really open up the lace into something truly special. Anne has also recently come out with this complementary pattern (and yes, I do mean that with an "e," as in "complementary angles"), which I am hoping the remainder of the skein will allow me to make in addition, as the perfect little flourish for the gift.

So where does that leave us in relation to new projects?? Well... I went ahead and joined this Advent KAL, on the grounds that it's not a big time commitment (12-32 rows per day) and will be over in just 3 1/2 weeks. Keeping up with the daily increments will get a lot easier too when classes end next Friday (December 10th). Because it is such a short-term thing, I'm not counting it as a "real" WIP either, but especially with Elm Row suddenly and unexpectedly so close to completion, I'm incredibly reluctant to start anything else until that and Frejya are finally done once and for all, leaving me with *5* of the original dozen, plus the KAL. Then, and only then, will I feel at liberty to cast on for something from my queue. *Almost* there...

Evenstar: Blocking Magic, Perilous Repairs, and a VERY Happy Ending

Busy with summer travel and projects on a deadline, I have been rather neglecting the blog lately. So let's see what we can do to get caught up ASAP...

The big news that has been waiting the longest to be posted is that I finally finished the Evenstar on June 30th. The beaded edging had been dragging along for weeks, a few points at a time, until I reached the halfway point, and then a sudden spurt got the rest done in a matter of *days*. I was eager to see the end of it. Since it was my first circular shawl, I felt nervous about trying to block it, but a coil of spring wire borrowed from my trusty friend Anita (a.k.a. The Fiber Artist) made the whole process a no-brainer. Once I had threaded the wire through the edging points and pinned it out to stretch the fabric, a length of cotton yarn pinned to the center helped ensure that the radius was consistent all the way around. It came out to a diameter of 57". Here are some photos taken while it was still on the wires, including several wide shots and a closeup of the beaded edging. As always, you may click on any of these photos to see a larger view.

Only one aspect of the finishing on this project left me displeased, and that was the graft where the edging came full-circle. Grafting is never a relaxing or foolproof process even under the best of circumstances (hah!!), and this time I admittedly let it bunch up in places, especially when weaving in the ends, because I simply did not realize how much the fabric would open out when blocked. It turns out that there was ZERO room for error, so that every extra strand showed up like a searchlight in the night sky. The result was really quite ugly (see left and click for a closer look, if you can stomach it).

I tried to persuade myself that this was a minor flaw that others would overlook, but I found my eye so unerringly drawn towards it when I tried to look at the big picture that I decided it would bother ME even if no one else ever spotted the defect. So I set out to fix it, taking some time to think out a careful plan before attempting the repair.

The first step was to locate and untie the anchoring knot at the point where the edging meets the shawl. Once the right threads were loose (a surprisingly effortless process), it was easy to undo the graft and restore the live stitches on both sides, using strands of crochet cotton to serve as flexible stitch holders. I removed a single row on one side so that the graft would result in a full repeat of the edging pattern without adding anything extra. It took several tries to fiddle the loops into place, advance planning and preparation notwithstanding, and I finally had to call a halt to further manipulation for fear of over-handling the yarn. The faggoting on the inside edge proved especially tricky. Here are two photos that document the "during" and "after" of the repair. What I ended up with is still hardly the most perfect or inconspicuous graft in the history of lace knitting, but definitely represents an improvement over the original ugly blob. Hooray, and PHEW!!

This is most definitely a shawl to be WORN and ENJOYED. The fabric is robust as well as airy (thanks to the combination of alpaca and silk fiber in the KnitPicks Shimmer), and it feels luxuriously soft to the touch. I wore it several times to great effect during the festivities associated with my sister-in-law's wedding in Baltimore last weekend. No relevant photos from there have surfaced as of yet, but today I dressed up in my outfit from the rehearsal dinner for a home photo shoot, to be sure I would have something to share. Here are my two favorite shots (one front, one back). I just love the way the circle of lace makes its own perfect little collar when you fold it down on one side and drape it over your shoulders.Now that's what I call a happy ending!! :-)

Evenstar Edging Endgame

After weeks of slow and intermittent progress, I finally passed the halfway point on the Evenstar edging last Thursday. What a relief!! And then I began to realize just how close to the end I had come. A switch seemed to flick somewhere in my brain, and the next thing I knew, I found myself locked in a marathon push to the finish line over this weekend. I guess I must have decided that the project has simply gone on long enough. That, and a certain lack of enthusiasm about picking up double-pointed needles again for the second square of the Niebling project...

But whatever the reason, the GOOD NEWS here is that I now have only *8* points to go. Here's proof (see left, and click for a closer look). The photo doesn't show off the sparkly beads very well, but I think it gets the point across.

According to my official summer timetable, I only needed to have the Evenstar finished by mid-July, just in time for my sister-in-law's wedding. But what seems to be happening is that this task and getting a new start on the Unst stole have both jumped the queue a bit, which means that my goals for the kimono, the Frejya sweater, and Eriskay (all slated for end-of-June completion) will just have to switch places. It can all wait until July, and if as a result a few of the things on the August list get postponed until September, I won't lose much sleep either. There was nothing carved in stone about the list anyway, and as long as I keep making demonstrable progress I won't have any regrets. The other thing mitigating any potential guilt right now is that my list made no mention of the Niebling wedding gift, which has turned out to be a rather larger project than I had reckoned. So we are in pretty good shape. :-)

Evenstar Mystery KAL II: Patterns and Progress

Picking up with the Evenstar, right where I left off...

In Phase II, at the end of the previous post, I was getting the hang of the circular shawl business and becoming convinced that the "Blue Glass" Shimmer would indeed prove to be a worthy yarn choice. My shipment of cobalt-lined sapphire AB beads had arrived, and I started referring to the work-in-progress as "The Blue Thing" in my knitting bag. I do love the mixture of 70% baby alpaca and 30% silk. It feels marvelously loft and luxurious against the skin, and it has a subtle sheen too that really makes the colors glow.

This was my first mystery KAL, and I have enjoyed it immensely. One or two minor typos caused HUGE consternation on the Ravelry forum, especially, as near as I could tell, among relatively novice lace knitters who could not act otherwise than to do exactly as they were told and abide by all written instructions to the letter. A few individuals got extremely upset and frustrated, and were vocal about it. Yet I have to say for myself, as a veteran of decoding complex charts and "reading" my own lace fabric, that I never had the slightest trouble figuring out what the designer intended, regardless of what the pattern may have said. So I did my best to tune out all the forum drama and set myself to relax and savor the knitting process, an effort that was certainly rewarded by Susan's marvelous design. In fact, once past the initial stages, when I could (a) put away the dpn's and switch to a steady and reliable circular needle and (b) stop worrying about the color-pooling and trust my instincts in choosing the right yarn, I found the whole experience to be really and truly as uneventful and *soothing* as one could ever wish.

For purposes of the KAL, the body of the shawl was carved up into 6 incremental clues that arrived at two-week intervals from mid-February until the end of April, followed on May 7th by the final clue for the edging. Taken as a whole, however, the actual pattern consists of a two-tiered floral design (= clues #1-3), surrounded by a ring of elegant arches and filigree (= clues #4-5) and crowned by the triumphant return of the iconic Evenstar motif (= clue #6) that had appeared in two places near the center of the shawl and was first introduced in the pattern for the swatch (see previous post). The beaded edging is a straightforward example of the type, knitted perpendicular to the body of the shawl and taking up the live stitches one by one as it works its way around the circumference. So I will not belabor the blow-by-blow account from here on, concentrating instead on the main structural elements: flowers, arches, and edging.

Phase III: Stars & Flowers
As I have said, the center of the shawl was simple plain knitting between increase rounds. Then the "real" lacework began. By the end of the first clue, not only was the setup for the pi-shawl circle complete, but there were already two staggered rows of Evenstars as well, framed by simple triangles that soon blossomed, through the second and third clues, into an elaborate floral design. The outer ring of flower petals was framed by a delicate mesh pattern that Susan borrowed from the work of master lace artist Herbert Niebling. Six rounds of garter stitch at the end of clue #3 marked the boundary between this phase of the pattern and the next.

Each clue arrived on a Friday afternoon, the first at 6 PM EST and the subsequent ones at 3 PM, in deference to west-coast knitters bewailing the time difference. By the end of the second clue, the knitting really began to take on some momentum for me. I soon made up for the time that I had lost at the beginning, and I managed to stay caught up with the release of new clues all the way to the end. Indeed I finished almost all of the clues by mid-week and would turn to other projects to fill the time before the next one came.

Here are my pictures of the floral pattern as it emerged. I find that the photos of this shawl taken using flash tend to bring out the lace pattern more, because of the sharp contrast between light and dark areas, whereas those relying on natural light show off the colors of the yarn to best advantage, so the collection will include some of each type. As always, click on any of these images to get a closer look.

Phase IV: Elven Arches
After the flower petals, the fourth clue took some folks by surprise, because instead of a great big chart, this time we were given a simple pattern 20 stitches wide x 4 rows tall, to be repeated 28 times around the circumference of the shawl (now 560 stitches) and six times vertically, for a total of 24 rows. By the end there were columns of k1p1 ribbing alternating with some diagonal filigree work that was not quite the same as the Niebling mesh from the previous clue but coordinated nicely with it. The knit stitches in the ribbing were all twisted to enhance the sense of structure and depth in the columns. The designer had been broadcasting hints about the architecture of Rivendell from the LOTR movies, and I could clearly tell that we were indeed witnessing the birth of some lovely archways. Sure enough, in clue #5 the pairs of columns gracefully bent inwards toward each other to form the arches, and in clue #6 I was delighted to see the Evenstar motif come back to shine above them around the rim of the shawl, whose body was now complete.

This next series of photos will show how the pattern gradually emerged: first the columns and filigree appeared, then the pointed archways, and at last the Evenstars. As always, click on any of these images for a closer look.

At the end of clue #3 — just in time for the start of the Rivendell architecture — I went up a needle size to the 3.25 mm (US size 3), and I was soon very glad that I had done so, because the slightly looser gauge really helped to open up the arches, which would otherwise have been inclined to pull inwards as a natural effect of the k1p1 ribbing. This was quite frankly my favorite phase of the pattern. I particularly enjoyed the rhythm of the twisted ribbing and the balance of solidity and airiness in the archways. They seemed to embody Tolkien's conception of Elven artistry and the Elven character perfectly: graceful and slender, strong and noble, stalwart and elegant, and quietly, strangely, sad.

Phase V: Beaded Edging
And then it was done. All of a sudden, before I could even quite believe it or grasp hold of the fact, the seventh and final clue had arrived, and the Evenstar KAL entered its last phase, as we all began working the beaded edging around the outer rim of the shawl. I knew from previous experience that this was going to be a long haul and tried to warn some of the others that it would take time, especially for those who went along with the suggestion of placing the ~3000 beads one by one. Make no mistake: this task called for patience and perseverance above all else.

I had wondered since the beginning, both inwardly and out loud, how Susan would manage to squeeze that many beads into a mere 56 edging points. It was not hard to do the math and realize that each point had to contain ~50 beads, which seemed like an *awful lot*. But everything became crystal clear (pardon the pun!!) as soon as I saw the actual pattern, with its 5 concentric rows of beads zig-zagging around the circle. It is by no means the most complex or elaborate edging that I have ever seen, but it does an admirable job of framing the design, and the beads add an element of sparkle that is *impossible* to ignore. Click on either of these pictures to see what I mean...

Naturally, being so close to the end, I am eager to complete the shawl and especially to see how it will look after blocking, but I must admit that have not been in any great hurry to finish the edging. I did the first four points in one sitting on the same day that the clue was released, so that I could get a sense of the wave pattern and see how the beads would look in situ, but then I actually laid my Evenstar aside for a while and allowed myself to get distracted by other ongoing projects. Recent blog entries will testify to the wide variety of things that have been vying for my attention lately.

Only this past week did I get back to the business of placing all those beads. Progress is slow even now, but I have made my way about 30% of the way around the circle so far. I find that there is a limit to the pace that I can reasonably adopt, though, because I cannot stay focused for more than 3 or 4 points at a time. Those little 8/0 beads are tricky buggers to let loose on the world. If you don't watch them like a HAWK, they start bouncing around all over the place and getting into merry mischief, like the Cornish pixies in Gilderoy Lockhart's classroom. :-)

Evenstar Mystery KAL I: Preliminaries

And so we come at length to the Evenstar shawl. It is still a work-in-progress at this point, but nearing the end after several months of intermittent activity, and it feels good to be posting something about it here finally, since that means the blog has truly almost caught up with my knitting. The pattern is the creation of my fellow Hoosier Susan Pandorf of Sunflower Designs, whose talent for lace in particular has previously brought us such notable beauties as Magic Carpet Ride (which I finished last November), Mehndi (which I have only just started recently and expect to write about soon), Dragonfly, Icicle, and Protopopov (all three of which are in my Ravelry queue).

The Evenstar story demands a bit of background. For Susan's imagination has been captivated lately by the works of J.R.R. Tolkien. In fact, she has launched an ambitious Lord of the Rings Series that will eventually consist of at least two dozen different lace, aran, and colorwork patterns, all inspired by characters from the books and/or scenes from Peter Jackson's LOTR movies. The patterns are grouped according to the volumes of the trilogy. One can either subscribe to the whole series in three parts or purchase individual patterns separately as they become available. Each sub-grouping will include a mystery shawl KAL: beginning with Evenstar for the Fellowship of the Ring, continuing with Elessar for The Two Towers, and of course culminating in The One Ring for The Return of the King.

So in other words Evenstar was and is only the first installment in what promises to be a Grand Adventure for knitters all around the world. And I am not kidding about the global reach. Susan has created quite a buzz!! For there is obviously considerable overlap between Ravelry knitters and the Tolkien fan-base: over 1,000 people joined the Evenstar KAL, and many of them have pledged to continue through the whole series.

As a lifelong Tolkien devotee and an admirer of Susan's work, I signed up for the Evenstar KAL practically within nano-seconds of learning about it, but I have so many other projects lined up already for the coming months, with more and more continually added to the list, that I opted to pick and choose from the available offerings rather than saddling myself with a costly subscription. That said, though, I will definitely take on the other two mystery shawls when they happen, and I have purchased one other pattern from the Fellowship series so far, namely the elegant Rivendell smoke-ring that I expect to make several times in different yarns and colorways.

But getting back to the Evenstar... This project marked several firsts for me personally: my first pi-shawl and indeed first circular shawl of any kind, my first official KAL (knit-along), and my first mystery design, where the clues are sent out one by one at a fixed interval, slowly revealing the pattern. I think the simplest way to write about it will be to recount the knitting process by stages, roughly corresponding to the incremental clues whose appearance became such a notable feature of the past few months. Knitters who are not overly worried about spoilers often do separate blog entries for each clue of a mystery KAL as it goes along, so I guess this post after-the-fact will have to serve the same function for me, albeit in a more encapsulated format. It will be fun to reflect on my experience, although I doubt I can recreate the wild anticipation of those bi-weekly emails from Susan. People always started perceptibly twitching on the Ravelry forum a day or two in advance.

Phase I: Swatching and Waiting for the Postman
The KAL was announced well ahead of time, but for some reason I did not find out about it until February 11th, i.e. the day before the first clue was scheduled for release. So I got off to a somewhat breathless start. There was a special pattern for the swatch (pictured right), featuring the striking Evenstar motif that was designed to evoke Arwen's pendant from the LOTR movies (read a fascinating interview with the jewelry designer here). The knitted version involves working 7 stitches into the same 3 loops, a somewhat tricky maneuver that I had never encountered before but later learned to associate with Estonian lace and would soon see again with the Echo Flowers design, as described in my previous post.

There was a fair bit of Sturm und Drang on the Ravelry forum as various people found themselves locked in a wrestling match with their knitting over the 7-into-3 stitch. Alternate techniques were proposed — kfb (= knit into the front and back of the loops), k1p1 (= alternate between knit and purl stitches) and k1yo (= alternate between knit stitches and yarn-over loops) — and their relative merits weighed at length over the extended course of the KAL. I made my mind up right away that I liked the look of the k1p1 best, because of the way the 7 new stitches spread themselves out evenly around the little ring created by the trio of loops into which they were all worked. So I did the same thing throughout, each time the motif appeared, starting with the swatch as shown above.

Susan made the original shawl using Blue Moon Fiber Arts Silk Thread II in a shiny silver colorway called "Winter Solstice" that perfectly captures the Elven mystique of Arwen Undomiel. Quite a few KAL participants followed her lead with pastel shades especially of gray, blue, and lavender, but with my Unst Stole in mithril-like "Platinum" Gossamer CashSilk still on the needles (and awaiting the return of my attention), I wanted something bolder and darker. I also knew almost immediately, especially because it was such a sudden move to join the KAL, that I would turn to KnitPicks Shimmer as a relatively low-budget yarn alternative that would still preserve the high-end look and feel that the pattern clearly called for. Sure enough, later that same day I ordered 4 skeins in the "Blue Glass" colorway and knitted the swatch with a remnant of the "Sherry" colorway that I had on hand, left over from a previous project.

I had been craving something to knit from the cerulean end of the spectrum lately and quietly eying the "Blue Glass" Shimmer for a long time, so when the Evenstar KAL opportunity arose, it was an easy choice. I knew that the mixture of capri blue, cobalt, and navy would not disappoint, although I must admit that I lingered somewhat over the "Sherry" too, when I saw how the swatch had turned out, because the deep reds brought to mind Arwen's dress from the poignant scene in the movie where the book falls from her hand. Maybe someday, if/when I decide to do it all over again...

Yet although I managed not to agonize over the yarn for this impromptu project, it still quickly became a case of "hurry up and wait," because my KnitPicks package arrived several days later than expected, due to the President's Day holiday and some nasty winter weather. C'est la vie, hein?

Phase II: Going in Circles
As far as the gauge went, the pattern calls for 3.25 mm (US size 3) needles, so that is what I used for the swatch. This was an experiment, because in the past I had used 2.0 mm (US size 0) needles with the same yarn, so I was not surprised when the knitting felt loose in my hands. The swatch came out only slightly too big, though, so I went down to 3.0 mm (US size 2) needles at the start.

Truth be told, I actually moved up to the 3.25 mm (US size 3) after the third clue out of 7, and up again to 3.5 mm (US size 4) for the edging, as a way to help the fabric stretch. A friend of mine who is a VERY experienced knitter routinely does this with all her circular and other shawls knitted outward from the center, and I think it makes good sense, especially for a pi-shawl where you have such long intervals of plain knitting that are supposed to expand and fill in the segments between increase rounds. Of course we'll see for certain at blocking time, but I think I am going to end up feeling extremely glad that I took the precaution.

Now, as I mentioned earlier, I had never tried to knit a circular shawl before, and no one had ever warned me either about just how wild & woolly those first several rounds generally are. Yikes. After reading up and experimenting with different methods for an appropriate cast-on, I eventually chose Fleegle's version, which I carefully translated from right-handed to left-handed use. So that was OK, but then it definitely took a bunch of tries before I could persuade the double-pointed needles to cooperate and sit still long enough for me to make my way around a few times. "Taming the hedgehog" took on a whole new meaning there for a while, between the twisting and the slipping and the other bad things that can happen all too easily at that stage. Yet though the outset was perilous in the extreme, everything calmed down significantly, once I got three or four rounds into it and the stitches found their places and started lining up neatly all by themselves.

But soon another problem arose, as the colors started pooling alarmingly. After the 3rd increase round, my gauge managed to align itself just right (or rather, just WRONG) with the phase-shifts in the yarn, so that one half of the circle got all the pale shades and the other half all the deep, dark ones. It reminded me of the light and dark sides of the moon. *Ugh*. So I began again and devised a scheme of "snipping and skipping" (as it were) to disrupt the pooling by artificially elongating some color segments and foreshortening others. It seemed to work reasonably well. The photo on the left shows my first attempt, which probably would have lasted, except that then the yarn broke and I had to start over yet again. What a litany of woes!! So the picture on the right is the actual working center of the shawl, which was made by the same method as the trial version on the left.

Honestly, it took a while to reassure myself that the variegated yarn was going to work out with the lace pattern. I could not be entirely convinced that the pesky pooling problem would not recur, since the whole pi-shawl arrangement is based on multiples of the same number stitches all the way along. And even without worrying about that, the colors just looked awkward somehow until the diameter grew enough to distribute them and balance everything out. I kept telling myself that it would probably all sort itself out eventually, but there was a persistent voice in my head suggesting that none of these concerns would have arisen to plague me with a solid-colored yarn. I went so far as to devise a backup plan for the unpleasant prospect of having to give up on the "Blue Glass" entirely, but I also kept listening to the *other* persistent voice in my head that took its cue from Dory in "Finding Nemo": "Just keep knitting, just keep knitting..." Fortunately, the happy “tipping point” came somewhere in the course of clue #2, and I soon felt my confidence growing about the prospects for an auspicious end result with my chosen colorway.

We were told that the edging of the shawl would be clue #7 and would have the option of including ~3000 8/0 beads. So as soon as I had assuaged my doubts about the variegated colorway, I went ahead and ordered three containers of 8/0 beads from Earthfaire in cobalt -lined sapphire AB. I wanted something emphatically *BLUE* that would stand out but still sing in harmony alongside the various shades in the yarn, and the rainbow highlights of the AB coating definitely bring a welcome frisson of Elven magic into the mix.

And that sounds like a good stopping place. For this post is now sufficiently long that I will break off here. Coming up next: progress and patterning...

Pine & Ivy

A new knitting pattern must be something very special indeed, when a KAL (Knit-Along) forms on Ravelry several weeks before its scheduled release, solely on the strength of tantalizing photos from the designer's blog...

That is precisely what happened not terribly long ago with the Pine & Ivy shawl design from Anne Hanson of KnitSpot fame. The KAL Forum on Ravelry was launched March 12th, and by that time people were already buzzing with yarn ideas and color comparisons, even though the actual pattern did not appear until the 22nd!! A lovely photo gallery heralded that much-anticipated event. But the initial fascination had been sparked several weeks earlier by this entry in Anne's blog. I love the way she began by peeking in at the blocked shawl from behind some French doors. By mid-April, the KAL Forum had over 1,000 posts. There was just no mistaking the fact that an instant classic had been born.

I bought the pattern the day it appeared and cast on a few days later. It gives instructions for three sizes of shawl. I started with the smallest one (a kerchief or "shawlette"), but like many of the people on the KAL Forum, I soon realized that I would probably end up knitting the design several times in different sizes, colors, and/or fiber choices. For this first time, though, I turned to my old stand-by KnitPicks Shimmer (70% baby alpaca, 30% silk) in the "Bayou" colorway, a lovely rich mixture of dark brown and forest green with hints of both olive and teal. Normally with such a yarn I would probably reach for a 2.75 or 3.0 mm (US size 2 or 2+) needle, but I decided to take a bit of a risk and go up to 3.25 mm (US size 3), so that the lace fabric would really stretch out. Also, for a little added embellishment, I sprinkled in some 8/0 beads in silver-lined root beer (which has to be my all-time favorite name for a bead colorway), not enough to make the shawl an automatic trip to "bling city," but just to add a touch of sparkle that would still be suitable for day wear or around the office. I placed them on the ivy vines across the bottom border and the pine cone motif running up the center back, and left the intricate patterning of the rest of the shawl to speak for itself, as it were.

The shawl is fashioned from the bottom up, so you start by casting on several 100's of stitches (303 for the smallest size, 403 for the medium, and 503 for the large/tall). Counting and re-counting all those stitches can be a real challenge. In fact, a few people participating in the KAL got seriously frustrated at that point. But I was lucky enough to make it work on the first try, thank goodness. My usual method in such situations is to mark the stitches off in groups of 50 and then count between the markers until I am satisfied that I have the right number. I find that I still have to concentrate harder as the stitch-count grows, but at least the task becomes more manageable that way.

After a scant 3 rows of garter stitch across the bottom edge, you get into the the ivy border. This provides one of the most visually striking elements of the whole shawl, of course, but it offers some special challenges as well, because the pattern seems to be floating unsupported in mid-air. It also involves a lot of switching back and forth between angled decreases in both directions, as this is what Sharon Miller calls "knitted lace" as opposed to "lace knitting" (i.e. there is patterning on every row, without a row of plain knitting or purling in between). So you have to keep track of ssk/k2tog on the right side vs. p2tog/p2togtbl on the wrong side. Of course, Anne Hanson is a marvelous designer. Her charts are all *meticulously* laid out and paired with crystal clear written instructions that can be consulted in moments of doubt. But all the same, the directional stuff can get terribly confusing at times, especially for left-handed knitters like me.

Once I got past the ivy vines and into the body of the shawl, the knitting started to speed up noticeably, partly because the pattern was more straightforward (although that wavy section in the middle definitely had its tricky bits!!), and also because each successive row was shorter than the last due to the steady decreases. The shawl is exquisitely shaped to fit over the shoulders. I found that I had reached the top before I even quite knew what was happening, and the top edging was a breeze. The whole thing took no more than 5 weeks, and it was NOT my only project at the time.

Below is a gallery of the finished shawl both during and after blocking. The blocking process was fairly straightforward. I started by threading parallel wires on either side of the center panel, and once I had them pinned in place, began pinning out first the lower edge and then the upper one, point by point. The wings clearly wanted to curve upward, given the shaping. As I had hoped, the lace fabric made on larger-than-normal needles stretched out splendidly, and the various patterns really opened up. Its finished dimensions are 20" long at the center with a wingspan of ~48". I ended up using the floor of the computer room to block it out, because the master bedroom with its ever-so-convenient queen-size bed was unavailable. So our two youngest cats inevitably got into the act as well. The fluffy miniature tigress is named Wobbles, and the sleek puma look-alike is Quintus Nigellus. He came to us as a stray when fully grown, whereas she was a day-old kitten whom we rescued and bottle-fed. But I digress... As always, click on any of these photos (or the ones above) to get a closer look.

I have to say that I thoroughly enjoyed this knit from start to finish, and was especially pleased with how it turned out in the end. This is definitely a pattern worth knitting again in one of the larger sizes, perhaps even using more of the "Bayou" Shimmer that I still have in my stash.