Showing posts with label evelynclark. Show all posts
Showing posts with label evelynclark. Show all posts

Sunday, May 23, 2010

Heavenly Hearthfire

Let's be honest: knitting projects are NOT all created equal. Some are frankly more compelling than others. And every once in a while, a special one comes along that exercises a unique fascination and takes the creative process to a whole new level.

That's what the Hearthfire Shawl was like for me, from the very first moment that I saw this limited holiday edition colorway of the Fiesta yarn called Gracie's Lace in December of last year. Forgive me, Dear Reader, if these pictures of the skein seem overused and all-too-familiar. I just can't seem to get enough of them!

On one level, it was all about the *colors* — fuchsia, blue-violet, cypress green, russet brown — each of them deep and rich enough to drown in on its own, and the whole ensemble brought together in a harmonious and cozy seasonal blend aptly named "Cranberry Crush." The description on the Earthfaire website (where, incidentally, they have several of the regular Gracie's Lace colorways in stock at the moment) said something about mulled cider that really stuck in my mind. I am very much a cool colors, white-metal jewelry sort of girl, and generally avoid warm shades in my personal wardrobe. Earth tones tend to crawl off me. But with the pink and purple to offset the cinnamon, this colorway quickly became the exception that proves the rule.

When the package from the yarn store arrived, unexpectedly fast as I recall, I ripped it open eagerly and paused only long enough to snatch one or two photos of the unwound hank before winding it up to see what it would look like. And then, of course, a week later I had the unforgettable epiphany of matching the yarn with the silver-lined dark topaz AB beads, which magically reflected ALL the colors in what was already a heady mixture, to make the whole thing sparkle and sing. Scintillating!!

Yet amid all the chromatic rapture, let us not neglect the *texture* of this sensuous beauty. Gracie's Lace is truly a feast for the touch as well as the eyes, with 70% resilient, springy merino, 15% luscious, shiny silk, and 15% buttery soft, self-indulgent cashmere. It was an incredibly smooth, cushy knit, the kind where I found myself torn between wanting to work fast and make progress toward completion and wanting to slow down and savor the experience of holding the knitting in my hands and running the yarn through my fingers. Fortunately, even after blocking (which can sometimes attenuate the fabric and change its tactile character), it still has an incredibly soft, luxurious feel.

And of course the other crucial element in all of this, was the *consummate artistry* of Sivia Harding's Harbour Lights shawl design. Originally inspired by the nautical images of a lighthouse and lapping waves, this triangle shawl with its bold radiating panels and unusually deep, flowing edge pattern lent itself perfectly to the home-for-the-holidays, festive cooking and candlelight/fireside warmth and fellowship evoked by the Cranberry Crush. So the Hearthfire concept emerged from a rich and harmonious fusion of colors, textures, and lace patterns.

It was, quite simply, a *WOW* experience for me from start to finish. The edging became a surprisingly large task, even with just 24 points around the outside of the triangle, because of its depth and intricacy. It took over a month to complete. When the shawl was done at last, I honestly missed being able to work on it anymore!! That is probably why I kept taking so many pictures of the finished object, literally dozens of them. I had enjoyed the whole process so thoroughly that I wanted to capture it and hold onto it somehow. Nor could I let it go here in the "blogosphere" without one final attempt to put some of my inspiration into words.

But enough rhapsodies... Without further ado, here is a gallery of the completed Hearthfire Shawl, both during and after blocking. You can tell the difference, when in doubt, because of my blocking cloth with its unmistakable (and amazingly helpful!!) grid peeking through from behind the lace. As always, click on any of these images to get a closer look. I strongly encourage it, because this is truly a fun piece to look at. It will reward your attention, I promise. :-)

I should note that since completing this shawl about a month ago, I have actually worn it several times. It is a delightful cover-up for a woman on-the-go and especially effective over Basic Black, which offsets the colors beautifully and lets them shine.

And this story has an Epilogue... Working in lace-weight yarn with a design that was written for fingering-weight, I paid close attention to the measurements and did several extra pattern repeats on the body of the shawl so that it would come out to be the right size. There were also some careful calculations for the edging, and when I realized what a substantial portion of the time, effort, and yarn had to be kept in reserve for that final phase of the project, I kept weighing the remainder of the skein after each pattern repeat of the body, because above all things I did NOT want to run out of yarn within sight of the finish. As a result, when all was said and done, I actually had 8 g of the precious fiber left over, which was just enough that I could not let it to go to waste. I had some extra beads too. So with a bit of tinkering, and thanks at least in part to the fact that I have been gifted (?) with small hands, I was able to make a set of beaded wristwarmers to match the shawl. I used the Estonian Lace Wristwarmers pattern by noted designer Evelyn Clark (available as a free Ravelry download). Click on any of these images likewise for a closer look if it pleases you.

It took some special care to ensure that the bind-off would be loose and elastic enough to get these on and off with ease, but they fit nicely and add a surprising amount of warmth for all their diminutive size and delicate appearance.

Saturday, April 17, 2010

"Starry, starry night..."

Sometimes inspiration strikes, and you have to take risks in order to see where it will lead. That's how it was with my Starry Night shawl. Note that I use the past tense. For the entire project has already come and gone without a word or even a single WIP photo posted here. I honestly thought I had blogged about it, but looking back it turns out that I documented it only on Ravelry. Eeep. It just goes to show what a wild ride this term has been, if I can conjure up *imaginary* blog posts!! So I guess this is going to have to be a single-page project gallery, from start to finish...

It all began with a fabulously luxurious yarn that is aptly named "Lust" (from Twisted Sisters, 70% kid mohair, 30% silk), magnificently hand-dyed to match Van Gogh's iconic painting "Starry Night" for the YarnMarket exclusive Impressionist Collection. Long-term readers of my blog will know all about my love for that collection from my earlier projects Paris Rain (based on a painting by Caillebotte) and Spring Bouquet (based on a Renoir). So I splurged with a bit of my Christmas money to buy two lusty skeins (see left): "Starry Night" in blue/green/gold and "Monet's Garden" in shades of red/fuchsia/violet. The latter is currently residing in my stash, but it is slated for its own adventure soon, so lovers of All Things Pink should definitely stay tuned...

I decided to work with the "Starry Night" first, but it posed a number of obvious challenges. Between its fuzzy texture and highly variegated colors, it needed the rare sort of lace pattern that could showcase it rather than competing with it and/or being totally obscured by it. I also wanted to use beads as a dramatic way of highlighting the connection to the artwork. In keeping with its artistic inspiration, this was meant to be less of a garment than a piece of jewelry...

So after a bit of searching around, I chose the popular Swallowtail Shawl from Evelyn Clark Designs. It is a relatively simple lace pattern, with a basic motif for the body of the shawl that is small and repetitive enough to let the colors do the talking, and a lovely edging originally designed for rows of nupps that was ideally suited to 6/0 beads instead. The "lily of the valley" motif actually reminded me of the famous swirls of clouds across the sky in Van Gogh's painting. I ordered 6/0 beads from Earthfaire in two different colors (blue and gold) to match the yarn: silver-lined cobalt AB and transparent light topaz AB. The following photos show the shawl at a very early stage (left) and the beads when they first arrived, about a week later (right). Note the emerging lace pattern in the background, as well as the depth and variety of the colors. As always, click on either image to take a closer look.

The body of the shawl took me nearly *two months* to complete, because it was such a repetitive pattern that I could not stand to work on it except in short bursts, so I just had to chip away at it, bit by bit, whenever I happened to be in the right mood. Along the way I felt reasonably confident that something beautiful was in store, but it was really hard to tell. I kept having doubts. But I would periodically stretch the fabric out over my knee to reassure myself that yes, this was what I had imagined. And the beads held tremendous promise. I was counting on them to make the whole project sing. Once I finally reached the point where I could switch to the border pattern and actually began adding those beads, the work suddenly picked up LOTS of speed. I actually finished the entire border section and the edging over a long weekend!! And that was despite having added an extra repeat of the border pattern in order to use up more of the yarn and display more beads.

This next series of pictures shows the WIP with beads (upper left), and the finished shawl right when it came off the needles, prior to blocking.

I loved how light and airy the fabric felt when it came off the needles. So much bounce in the yarn!! And then came the miracle of the blocking process, which took place rather fittingly on Easter Sunday. :-)

The beauty of lace never truly emerges until you block it, but this project took that truism to a whole new level for me. I soaked the fabric for a long time, to be sure the mohair fibers would be fully saturated, and then I pinned it out carefully with a good deal of stretch, although it probably could have withstood more. WOW. The vaguely triangular blue/gold blob that I had been laboring over for so many weeks suddenly transformed itself into an astonishingly lovely thing, fully 30" long at the center back and with a "wingspan" just shy of 60". Here is the final array of pictures, taken both during and after blocking.

What can I say? As I waited for the fabric to dry, I was overwhelmed just by the look and feel of the lace, and then, when I undid the pins and finally draped the shawl over my shoulders, I realized that it fits like a dream and, what's more, would STAY PUT when worn, even by an active person... WOW. This shawl is everything that I had imagined and hoped that it would be: warm, fuzzy, sparkly, artistically-inspired *jewelry*. I have worn it several times already. It looks fabulous over Basic Black, and I know in my heart that it will be a wardrobe staple for many years to come.

Starry, starry night.
Flaming flowers that brightly blaze,
Swirling clouds in violet haze,
Reflect in Vincent's eyes of china blue.
Colors changing hue, morning field of amber grain,
Weathered faces lined in pain,
Are soothed beneath the artist's loving hand...