Sic transit gloria mundi.

[[ Dear Reader: I'm afraid everything around here is still smothered in ketchup. Please be patient, as we continue to dig our way out from under the backlog, and be sure to check the Table of Contents (left) to catch any ephemeral posts that you may have missed in all the hullabaloo. ]]

The next item on my "ketchup list" is the American Beauty shawl by BadCat Designs, which I managed to finish just in time to wear it to church on Easter Sunday. We had fun doing an outdoor photo-shoot in the April sunshine (see left).

But two days ago, when I brought out the shawl because I was getting ready to write about it, I had a nasty shock: the drawer where it was kept had been invaded by carpet beetles!! Thankfully, other hand-knit items in the vicinity seem to have been spared, and (before anyone asks) the Princess Shawl and WRS were both tucked away safely elsewhere, but American Beauty was badly damaged, perhaps even beyond repair. The little buggers seem to have a definite taste for fine merino, because they zeroed in on that one piece and basically left the others alone. So far as I know, the little wrist-warmers mentioned in this post from over year ago were the only other casualty.

As typically happens where insect larvae have feasted on a piece of wool, parts of the fabric simply fell apart in my hands (see right). It was hideously upsetting, of course, but I resisted the impulse to throw the whole thing away in despair. The shawl in its present form is probably too far gone, but I may be able to salvage the gorgeous fuchsia yarn for eventual reuse. I won't know for sure until I examine it more closely with dispassionate eyes. For now it's in a plastic bag in our spare freezer, along with the entire contents of the drawer where the infestation occurred. If cold does not actually kill the bugs, it should at least make them go dormant. Meanwhile I've ordered some pesticide strips that are designed for enclosed spaces, so the next step will be to seal all the infected items in a big plastic bin and let the chemical (DDVP) go to work. None of the other dresser drawers showed signs of insect activity, but as a precaution I sent EVERYTHING that I could through the laundry. Oh my, but *that* exercise is not for the faint of heart...

At any rate, because of what has happened, and in deference to the inevitable period of mourning, I am not going to dwell on the completion of this project anymore. That would feel distinctly morbid somehow (although Matthew 6:19 comes to mind, of course). But though the loss is undeniably a bitter one, in the last 48 hours my outlook has already shifted toward the positive, because I can see a shiny silver lining.

As much as I love the Rose Whisper with its wide range of color, done just by varying the saturation of a single dye, the dramatic shading turned out to be too intense and overpowering for the delicate lace of this particular design. At first there were just little flecks of the darker color, which I really liked. But then wider bands and blotches started to appear. It all blends together visually, but the larger rose motifs at the shoulders are mostly drowned out in the noise and confusion, which made me very sad, because they are truly magnificent (see left).

So at some point I think I would like to try knitting American Beauty again, but this time with more of a solid color. I have already done some preliminary yarn hunting over the Internet. For you know what they say: when the going gets tough, the tough GO SHOPPING!! Best therapy in the world, methinks, and it's free for now, as long as I don't actually buy anything. :-)

List Mania

OK, let's just come out & admit it: this past school year was NOT terribly kind to my blog on the whole, and it wasn't just coming up for tenure that caused the recurring difficulties. I faced a veritable host of other distractions.

Ghost & Goblin, formerly known due to ringworm as the "plague kittens" or chatonnes de la peste, were finally pronounced fungus-free and released from their long quarantine at the end of February. Here they are shown blissfully sleeping on the first afternoon in their new much more spacious & comfy abode. When the quarantine was lifted, I had a sore back and lot of catching up to do in all the other aspects of my life that had been woefully neglected while I dutifully sat tending baby cats in "The Haunted Loo." I barely remember the month of March, and the rest of the spring went WHOOSH!! Thankfully I managed to stay afloat in all of my courses, but I could tell that I was slowly-but-surely running out of steam. The prospect of a sabbatical from teaching in the coming fall was just about the only thing that kept me going to the end of Winter term. And then I took a group of students abroad to study Roman Italy for 2 1/2 weeks in May, which accounted for about twice that much time in preparation beforehand and afterward in recovery.

So the blog in 2010-2011 has had gaps & hiatuses up one side and down the other. On the up-side, I kept knitting at least, whenever time allowed, meaning that I have quite a lot of nifty stuff to showcase here, now that the summer is offering me a chance to catch up once again.

One way to quantify progress over the last twelve months is to compare what I've gotten done to the seemingly endless catalog of WIP's from June 2010. And the BIG news on that front is that I have now successfully completed eight (*8*) of the twelve (*12*) projects on that list, as follows...

1. Stained Glass Felted Bag: completed in June 2010, within days of the original WIP list and written up here;
   
2. Fiddlehead Mittens: completed in late August 2010, and discussed in the end-of-summer wrap-up here;
3. Candlelight Kimono: likewise completed in late August 2010, and discussed here;
4. Frejya sweater: FINALLY completed in March 2011, and not yet discussed in full;
5. Stornoway: completed in October 2010, and discussed here (with additional photos here);
6. Evenstar: completed in at the end of June 2010, and discussed here;
7. American Beauty: completed in time for Easter 2011, and not yet discussed in full;
8. Elm Row: completed in December 2010, and not yet discussed in full.

Right now the only projects that I have going, and the only WIP's listed on my Ravelry profile, are the remaining four of the original twelve. They actually fit across a single row on my little laptop screen!! I have been waiting a long time to see that happen. Although they are all on separate timetables and at different stages of completion, I have been making as-of-yet undocumented progress lately on two of them in particular, as follows...

1. Unst Stole: currently somewhere ~55-60% complete, with the center (FINALLY!!) and one border segment done. When the 2nd border is finished (sometime in July?), I will have only the edging left to do, and the project will stand at 75% complete. This project may have stalled out a couple of times before, but it is most definitely "over the hump" now, and I fully expect to have it wrapped up by the end of the summer.
   
2. Eriskay: the body is thankfully complete up to the armholes, including the bottom part of the underarm gussets, and I recently divided the stitches for the yoke. I have begun work on the back portion, and hope to have both yokes finished by the end of the summer and the entire sweater by Christmas.
3. Mehndi does not really deserve to be called a WIP, strictly speaking, since all I did in April 2010 was to cast on and knit far enough into the 1st chart to see what the yarn & beads & pattern would look like together. It did not amount to more than just a swatch, in other words, and I am still waiting for the right moment to pick it up and start work in earnest. Look for news sometime later this summer.
   
4. Peggy Tudor has been on hold for a while, waiting for me to get a long list of other things out of the way so that I can concentrate on the next segment. For the sweater is cunningly designed to be assembled out of many small pieces. I am deliberately setting no deadlines for this project, so that I can take it at a natural, unhurried pace and savor the intricacy of the process without ever having to distress myself over it. So while I expect to complete it sometime in 2012, I refuse to make any more detailed forecasts.

Meanwhile, in the past year all of the following additional projects also came and went, whether I have managed to write about them yet or not...

1. Herbert Niebling lace (x2): I did a practice square in crochet cotton and a rectangular piece in gossamer silk from the same pattern, with the latter as a wedding gift for my sister-in-law and her husband. Both were completed in July 2010, as discussed here and here.
2. Frosted Leaf Necklace: with this lovely kit from Earthfaire, I made my first foray into knitting beaded jewelry. It was completed in September 2010 and discussed here.
3. Rivendell Cowl: I splurged with some birthday money and bought the luxury color-shifting yarn to make this showpiece from Susan Pandorf, completed in December 2010, and discussed here.
4. Unikatissima's Lace Advent Calendar: this was a thoroughly enjoyable and relaxing knit, completed just after New Year's and discussed here.
5. Continuum Legwarmers: a magnificent design by Sivia Harding, completed in January 2011, and discussed here (sadly my most recent post, prior to this one).
6. Elm Leaves wristlets: made to match Elm Row, completed in February and not yet discussed at all.
7. Garter Rib Socks (a.k.a. "Look Who's Got Tenure Now): my very first pair of socks, completed in early March, and not yet discussed at all.
8. Bunny Mittens: lined in alpaca and exquisitely warm, completed in early March, and not yet discussed at all.
9. Oak Grove Mitts: a design by Anna Dalvi done up in exquisite Sanguine Gryphon Bugga! yarn, completed in mid-March, and not yet discussed at all.
10. Gingerbread House Socks: my 2nd pair ever, with a lovely lace pattern and custom fit to just below the knee, completed in late March, and not yet discussed at all.
11. Eomer Shield Tam: a lovely colorwork pattern and my first ever test-knit for a friend on Ravelry who designed it, completed in late March, and not yet discussed at all.
12. Northern Lights Bracelet: my second beaded jewelry piece, also a kit from Earthfaire, this one using mood beads that change color when the ambient temperature goes up or down. Completed in May, and not yet discussed at all.
13. In Dreams: the second Tolkien-inspired mystery lace KAL by Susan Pandorf, using a custom "gradiance" colorway from The Unique Sheep (that I helped to design) and containing ~5000 beads, completed in June, and not yet discussed at all.
14. Sorrento Sunset: my travel-knitting for the Italy trip with a group of students (see above), completed in June shortly after we returned, and not yet discussed at all.
15. Beaded Blue Cashmere Gloves: my first non-fingerless glove project in luxurious 100% cashmere, completed just this past weekend, and not yet discussed at all.

So I have been a busy little professor in 2010-2011, and no mistake. What is more, even leaving aside any long-term plans and ignoring undue pressure from the back of the queue, I expect to launch at least two new projects in the coming week: a 3rd pair of socks, now that the gloves are off the WIP list (as per My Rules, to which I fully intend to adhere), and a summer KAL from BadCat designs where I will make a circular shawl bringing together gossamer CashSilk leftover from the Princess project, itty bitty 11/0 beads, and (for the first time in my life) nupps. Yes, I said *NUPPS*.

To be perfectly honest, the challenge for me is really not in the knitting, but in the typing, the text-writing, the image-processing, and the web-publishing. I have labored to produce this elaborate catalog today, therefore, as a testimony to the progress that I have made on the knitting side of things, even during the recurring periods of silence. And, more importantly for the sake of the blog, the same can also serve as a To Do list for the next few weeks. Let's see if I can REALLY get caught up by the end of this month, by documenting all my newest work as it happens, and by gradually writing up all the projects that as of right now are not yet discussed in full (= 3 total) or at all (= 10). Clearly I have my work cut out for me...

Pretty in Pink

I am emphatically *NOT* one of those gals who wear pink all the time, accessorize with pink and nothing else, and even make pink the focus of their home decor, because it's their favorite color and everyone else just has to deal with it. Reese Witherspoon in Legally Blonde, *moi*? Surely you jest... Nor are pale colors my normal milieu. As a child, I did admittedly choose bedding that was undeniably pink (no getting around that fact), but it was a bright, cheerful shade rather than anything pale and insipid. I simply won't go for insipid. The handful of roseate garments in my current wardrobe are all decidedly on the fuchsia/magenta/hot pink end of the spectrum as opposed to pastels/petal pink/mauve. The thing of it is that I am both a Leo (astrologically) and a Winter (in terms of my skin tone). Always on the lookout for dramatic contrasts, I naturally gravitate toward intense cool colors, including lots of black, set off by white or the occasional icy pastel, and the latter tend to be more blue/periwinkle/lavender than anything else.

So perhaps the fact that *two* of my lace projects this spring ended up being pink floral patterns might seem a tad out of character. But who cares, right? It's MY fiber fetish, thank you very much, and I can do as I like. There's nothing wrong with the occasional feminine flourish. And besides, neither one of the shawls in question would truly qualify as an Insipid Pink Object (IPO?) of the sort that is so rarely found in my vicinity. There are standards to be maintained, after all. ;-)

As mentioned here not long ago, I splurged with some of my Christmas money on two skeins of Twisted Sisters Lust (70% kid mohair, 30% silk) from the YarnMarket exclusive Impressionist Collection. One of these became my beloved Starry Night shawl, spangled with 6/0 beads of topaz and cobalt blue, and the other... Well, it was in a colorway called "Monet's Garden," as inspired by the painting "Pathway in Monet's Garden in Giverny" (1902). This beauty is a to-die-for blend of red and deep fuchsia, with the barest hint of orange flame — an item, in other words, that is utterly in keeping with my preferred color palette. I paired it with some of the largest beads I have ever used in knitting: 5/0 triangles in a shade called red iris that was a perfect match, if I do say so myself.

Fresh from the triumph of Starry Night and hoping to fashion a suitable companion piece in the red/violet colorway, I went hunting for another triangle shawl pattern, and eventually settled on the Echo Flowers Shawl design by Jenny Johnson Johnen. This is a top-down triangle featuring floral motifs that make heavy use of the Estonian lace technique whereby the base of a flower is formed by knitting 9 stitches into the same 3 loops, and then the petals are shaped and separated by yarn-overs and eventually finished off with double-decreases that bring the stitch-count back to where it started. The pattern called for nupps along the border as well, although I simply replaced them with beads.

I used 4.0 mm (US size 6) needles to ensure that the fabric would open up enough to overcome the bloom of the mohair. The knitting proved to be tremendously enjoyable, and it flew off my needles remarkably fast. In fact, I had the whole shawl finished in under two weeks!! Blocking proved a bit tricky, because the tension had to be carefully applied in order to stretch out all the flowers adequately. But I am delighted with the results and will definitely wear the shawl quite a bit, both for teaching and on other occasions. Here is the inevitable photo gallery, with pictures taken both during and after blocking. As always, click on any one of the images to take a closer look.

This shawl's finished dimensions are ~25” long at the center, with a 52” wingspan. Thankfully, it was the last remaining project completed in the past few months that I had not managed to blog about yet, which means that now only works-in-progress are left. *YIPEEEEEE*!!!! Hopefully, then, I should be able to get completely caught up relatively soon, which will be an enormous relief, I must say.

For of course the other pink project in my life is American Beauty, which is nowhere near completion as of yet. I have however made significant progress since my last update, despite pausing to start over, after realizing that (a) I had misread the chart for the edging, which is a snaky vine-lace that works counter-intuitively for those used to symmetrical patterns in the traditional mode, and (b) I had also not been using the proper technique for the centered double-decreases in the rosebud pattern that appears throughout the body of the shawl. Fortunately, I really did not have to undo much work or lose much time in the restart, and once I got going again it quickly grew. Indeed I have now completed more than 100 rows and am actually halfway through my third repeat of the larger rose motif that is truly my favorite aspect of the whole design.

Here is a closeup of this striking element, which appears in the original four times on each shoulder, nestled amid the smaller rosebuds in a diamond arrangement: first one at the top, then two side by side below it, and then one more centered beneath them. I am in fact so fond of the larger roses that I have decided to insert an extra series of them in my shawl: first one as written, then two, then *three* (following the same arrangement), then two again, and then one at last. I have carefully weighed my yarn at intervals and determined that, yes, I do have enough to add the extra repeats, and I think they will enhance the intricate look of the finished piece.

I am enjoying this project so much that I find I am in no hurry to finish it. In fact, the Aurora Whisper is such a supremely *glorious* example of both the spinner's and the dyer's arts, with such a magical, springy texture and symphony of colors, that I am seriously doing my best to savor the entire knitting process. Here are some additional photos taken first at an early stage (although after the restart), then a bit later, and finally just this afternoon, to show how it would be hard to pin the whole thing out anymore, since it has gotten quite bunched up even on a 32" circular needle.

The funny thing about this shawl from my own perspective is that I am already on the lookout for an actual, honest-to-God PASTEL PINK T-shirt or blouse to wear under it. Oh, *horrors.* How the mighty have fallen... ;-)

P.S. I simply couldn't resist.

I should really know when to quit after that last, epic blog post that took bloody FOREVER to type, but I wanted to give you all a sneak peak at my American Beauty shawl, now officially and undeniably a work-in-progress.

They say that the journey of 1,000 miles begins with a single step. So this shawl starts out with a dainty little rectangle (19 stitches x 8 rows). The lace pattern is then worked outwards from here in a triangular shape, and soon the piece will be ready for transfer to a circular needle, and a date with destiny. More soon...

Aphorisms and Rose Lace, Just in Time for Spring

Aphorism #1: Spring Has Sprung!!

The annual signs of nature's renewal have been discernible everywhere recently: daffodils blooming in the front yard, birds enthusiastically singing in the trees, gentle rain falling instead of snow, and on clear days the sky once again turning that warm, cheery shade of blue that we have not seen in so long, etc. Miraculous and oh-so-very-welcome...

Every year at about this time, I imagine what it must have been like to live in the Stone Age, when the return of the sun could not be taken for granted. It must have seemed as though winter might seriously NEVER end, so that the growing daylight and warmth and budding plants in springtime were literally life-saving. I mean, we sometimes feel that way even now, despite everything that science has taught us about the continuing cycle of the seasons and how/why it occurs every year. No wonder so many ancient cultures celebrated a solstice festival of some kind!!

'Tis the season for new lace projects, at any rate... Among other things, I am now nearing the completion of my beloved Hearthfire Shawl, which has been such a source of JOY and INSPIRATION, bound up with all the cozy thoughts and spicy aromas from the holiday season. There will be more to say about that project in the not-too-distant future. I have some lovely photos to share. But meanwhile the question naturally arises of what I ought to do next in order to fill the gap, and while contemplating my stash lately, I have found my thoughts irresistibly taking on a certain rosy glow...

Aphorism #2: It is ALWAYS a Lady's Prerogative to Change Her Mind

Oooooh, look at this GORGEOUS object!! Readers who have been with me for a while may remember that it came into my life back in August of 2009. It is Whisper by Aurora, a buttery soft lace-weight 100% merino wool imported from Italy. The yarn is expertly hand-dyed, using a single hue at different degrees of saturation to produce a tonal effect. The color (aptly named "Roses") took my breath away the very first time I saw it, with shades ranging from a deep, rich fuchsia all the way to the palest imaginable pink. It reminds me of pristine English tea roses, bedewed and blinking in the morning sunshine.

The skein is a whopping 1250 m (= 1362 yards), so I have enough to create something truly special. Click on either image (right or above) to get a closer look.

I originally imagined with this yarn that I would knit a rectangular lace stole using the traditional rose-trellis pattern. Makes sense, right? I even joined a Yahoo Group called Yarnfeathers, because the Ravelry database told me about a suitable stole pattern in their members-only archive.

But then time passed. Other items in my queue took priority, and although I did print out the stole pattern and wind the yarn (in an unforgettable marathon session), for some reason I held off on any actual knitting. I created a project page on Ravelry with a picture of the wound skein and a link to the stole, but I never cast on. Every so often, in the intervening months, I would pull out the wound skein to admire it and mull over all the intriguing possibilities that it seemed to offer. Looking back, I guess I must not have been entirely sure that I had really found the right pattern yet, because I kept surreptitiously hunting about and examining various options.

Eventually, I had to face facts. This project wasn't going anywhere in a hurry. I had growing doubts about the stole idea, and at some point I deleted the project page on Ravelry and officially moved the yarn over into my stash while I continued to search for a pattern. At that point I was biding my time and waiting for the next inspiration to strike.

Then just last week I felt my inchoate thoughts start to gel all of a sudden. I realized that I definitely no longer want to knit a rose-colored stole, but a triangular shawl instead. The Hearthfire project has made me a convert. So I did an exhaustive search through the entire Ravelry database, looking specifically for intricate lace triangles.

In my experience, it can be frustrating to go pattern hunting when you have something very specific in mind, because so often you come away disappointed. Nobody "out there" seems to get it just right. This time again, as usual, many lovely things (and some not-so-lovely ones too, IMHO) were examined and duly rejected. In the process, I ran across several striking designs that I had not seen before, including this amazing variation on the peacock-feather motif that may very well be destined for my stash of Unique Sheep Eos in the Aurora Borealis colorway (shown paired with silver-lined capri blue magatama beads). But I tried to stay focused on the task at hand, and after several hours, I finally found EXACTLY what I was looking for.

The winner is American Beauty from BadCat Designs: a triangular lace shawl based on an elegant rosebud pattern that appears throughout, with a delicate edging and some magnificent larger floral motifs in strategic locations. Scroll down on the page linked above to see a photo gallery from the original KAL. Although the complete pattern is now available for purchase and easy download, it was originally published serially on the designer's blog. I took my time and read through the entries in some detail before making even a small investment, but in all honesty I had fallen head-over-heels in love with this shawl at the very first sight, just as I had done with the yarn back in August. I feel very VERY sure that we are looking at a match made in heaven.

Aphorism #3: NEVER Say Never...

Ironically, the pattern calls for 8/0 beads. Whence the irony? Pairing lace yarns with beads has obviously become a favorite pass-time around here, but I had specifically and rather emphatically NOT tried to do it with this particular yarn, because I was afraid that shiny objects might seriously detract from the colors of the wool, which look so spectacular in their unadorned state. But the American Beauty pattern forced me to think again and see if I might be able to find some suitable beads after all.

After taking a deep breath or two, I proceeded to look at a wide variety of bead options. But in the end it was just too hard to tell from the Internet whether any of them would actually work with the yarn when I got them here in person. So I sent an email to Ellen at Earthfaire, asking for advice. She is my go-to person for beads and had also sold me the yarn in the first place, so I knew that I could implicitly trust her recommendations. My email included the same two yarn photos that appear at the top of this blog post. But Ellen is a wise and careful woman. She did not want to make a final decision based solely on an image from a computer screen, any more than I did. So she offered to send me some bead samples instead.

It took several days for the postal service to do its handiwork, but a small padded envelope duly arrived in yesterday's mail, full of goodies. Ellen's current stock is happily replete with rose-tones. Reading from left to right (i.e. counter-clockwise), we have silver lined ruby AB, hot pink lined crystal AB, raspberry lined crystal AB, orchid lined crystal AB, pink lined crystal AB, white pearl ceylon (in a 6/0 size that I requested for the color, since the 8/0 are currently out of stock), and crystal AB. Click on the image (left) to see a larger version.

I knew in advance that some of these beads would not look good with yarn at all, but for "due diligence" to be observed it pays to see things in person. And indeed, when put to the test, the range of options quickly shrank from seven to four, because the raspberry and orchid are both clearly way too purple, and the hot pink has too much peach in it. Now here are pictures of the remaining four choices, each with the yarn. As always, click on any of them to take a closer look.

So there we are. Honestly, I could probably choose any one of them and not hate the results.

Taking them one at a time... I was especially pleased to see how well the silver lined ruby (upper left) matches the darker end of the spectrum in the yarn, because it was an outside chance at best and I do like the effect. But the rainbow highlights in the AB coating add flashes of gold and orange into the mix that I must say I find distracting, intensified as they are when viewed against a darker background. I keep imagining pale beads with this yarn anyway...

Among the pale choices, the white pearl ceylon (lower left) stands out just a tad too starkly for my taste, in addition to being currently unavailable in the smaller size. Ellen does have some 8/0 antique ivory pearl ceylon beads in stock, which have a soft "winter white" look that is still not quite as yellow as the regular ivory pearl ceylon. Intriguing. I have been tempted to order some for a while, and they would make a good addition to my stash, since I am bound to want them eventually, even if I don't use them right away now.

The crystal AB (lower right) look like tiny sparkling soap bubbles. They are an exquisite neutral and would go well with virtually any yarn, because their clear surface picks up and reflects whatever color you put next to it. See how they take on a pale pink glow in the photo above? My only reservation is that the effect is almost too subtle for the task at hand. When I add beads to a big piece of lace, I want them to make a bold statement, and I find these just a tad too self-effacing to stand up next to those exultant rose tones. It is a DELICATE balance that one aims to strike.

All of which points to the conclusion that I should probably go with the pink lined crystal (upper right). Oddly enough, they were my favorite option from the beginning, albeit by a narrow margin and subject to verification. Now that I have seen them in person, I am *thoroughly* convinced. The magic of this choice is that the beads match the yarn perfectly, as if they had been dyed with the very same brush. So they accentuate and highlight the colors of the wool rather than competing with them. These beads also have an ethereal, pearlescent quality to their centers, and yet they are not entirely opaque. So they bring together all the best qualities of the other choices (i.e. the color match of the ruby, the pearly glow of the ceylon, and the clarity of the crystal) without any of the drawbacks that I mentioned above. Each single bead will show up nicely on its own, and the effect will be as harmonious and balanced as anyone could wish.

So now the only thing left to decide now is how many beads I should purchase. The pattern as written calls for 35 g, i.e. a single container. But I am tempted to get two of them, because I am probably going to make some minor modifications to the pattern that are likely to require extra beads. While it is easy enough to order more as needed, I do not like to worry about possibly running out. The pattern also asks for 9 special heart-shaped beads that are meant to go in certain key spots on the shawl as an homage to Valentine's Day (hearts & roses). Not really my thing... I found at least one knitter on Ravelry who replaced the hearts with clusters of the 8/0 beads, which is a nice idea. Alternately, the pink-lined crystal is also available in the larger 6/0 size, and I could sprinkle in a few of those as embellishments without jeopardizing the color scheme in ANY way.

Aphorism #4: Always Finish What You've Started

Good advice, especially for a knitter with chronic start-itis (like me, hehe, just look at those progress bars!!). But since the only way to achieve completion is by knitting, rather than blogging, I think I will take a convenient exit. This post has already gone on long enough!! ;-)